[A last glance around the room confirms she hasn't left anything she needs (not that dinner is much of a trip,) and she slips past him through the open door with a slight quirk of her lips.]
[She doesn't quite notice the pause, distracted by the fact that it is her job. And one she takes quite seriously, given that the City is the City; it at least provides the illusion of safety, of privacy.]
Don't let him bully you into letting him get fat, it's not healthy.
[The light tone keeps it, more or less, from being morbid. Not awfully so, at least. The time spent willing herself to relax is starting to bear results, at least-- it helps that human company is much more effective than the cat's-- so her small smile matches.]
You could always lock your door, if you're worried about being the first.
[Gallows humour, a basic requirement of anyone wanting to survive a specialism outside chiropody. And the cat is something they share, in some small way. He's always grateful to see a flash of grey fur when he visits her, and know that tenuous link still exists.]
And wake up some morning cursed and trapped in my own room. Not that that would necessarily be for the worse.
[He glances across at her as they walk.]
Sorry, for offloading the Wilson thing on you. You're better at getting through to him.
[Honestly, she's less worried than she would be at home if something were to happen to the oncologist; here, at least, there's the assurance that somewhere he's well. And the City, in some strange way, has always seemed to suit House.]
[The wry tone covers the fact that she's honestly not sure whether being stuck is luck or a lack thereof; it's certainly not a question she can raise with him.]
Some things do more or less follow a pattern, here, but comings and goings do seem to be random.
Wouldn't that depend on what I was catching up on?
[Her tone is equally, forcibly light, though she's not looking at him when she answers. The pause before she speaks again is too brief to invite an answer. She doesn't need it, not really.]
I'd rather not come back, I think. I want to be done with the City, once the City's done with me.
Depends how far you subscribe to the theory that ignorance is bliss. Or knowledge is power. Probably a few other cliches.
[No one gets a choice in the matter, but there is one choice he could offer her that only a select few get. Gauging whether it's a good idea or not is a trickier matter - and one for later. He catches her arm, probably unnecessarily, to pull her up outside the restaurant.]
I'd guess the only true one is that the grass is always greener on the other side.
[She's wanted to know and she's wanted to forget, at various points. Going home-- living through it-- would take care of her curiosity, but she's willing to bet she'd regret the loss of whatever naivety is left to her, at least in part. Ignorance isn't bliss, but it isn't hopelessness either.]
[He holds the door, barely given time to gesture her through ahead of him before being met by an attentive maitre d'. The reservations are for Chase, and their table for two aligns them with a view of the kitchen, but a small degree of privacy from the rest of the dining room, however much that may be down to the careful angling of their seats.
Chase almost looks put out when he's beaten to holding hers out for her.]
[The lady does, an eyebrow lifted slightly at the wine as she chooses and orders, waiting a moment to pick up the thread of conversation as he walks away.]
I'd say nearly anything is an improvement on that, but...
[Enough said, as they say. The Deities are endlessly creative.]
→ ACTION // would you care if i care too
No, but next time I bring salmon treats with the take-out you'll know who I really came to see. Well, if you're ready-
[He'll be there to hold the door.]
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[A last glance around the room confirms she hasn't left anything she needs (not that dinner is much of a trip,) and she slips past him through the open door with a slight quirk of her lips.]
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[And he closes the door, hesitating for a minute as if he's forgotten something until it clicks that locking it isn't his job.]
Sometimes I wake up, and he's staring at me.
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Don't let him bully you into letting him get fat, it's not healthy.
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[Genuine question. No, okay, but genuine smile as they head for the streets.]
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[The light tone keeps it, more or less, from being morbid. Not awfully so, at least. The time spent willing herself to relax is starting to bear results, at least-- it helps that human company is much more effective than the cat's-- so her small smile matches.]
You could always lock your door, if you're worried about being the first.
→ ACTION // would you care if i care too
And wake up some morning cursed and trapped in my own room. Not that that would necessarily be for the worse.
[He glances across at her as they walk.]
Sorry, for offloading the Wilson thing on you. You're better at getting through to him.
→ ACTION // would you care if i care too
[Honestly, she's less worried than she would be at home if something were to happen to the oncologist; here, at least, there's the assurance that somewhere he's well. And the City, in some strange way, has always seemed to suit House.]
I just hope better will be enough.
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[That's what this evening is in aid of, after all, isn't it? 'Could be better'.]
Wilson's been back before, hasn't he? I wonder why you and House skipped your turn.
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[The wry tone covers the fact that she's honestly not sure whether being stuck is luck or a lack thereof; it's certainly not a question she can raise with him.]
Some things do more or less follow a pattern, here, but comings and goings do seem to be random.
→ ACTION // would you care if i care too
[He raises the question lightly, as if it's no less casual a conversation than discussing the feeding habits of pet cats.]
Solid run here, or gap years to catch up back home?
→ ACTION // would you care if i care too
[Her tone is equally, forcibly light, though she's not looking at him when she answers. The pause before she speaks again is too brief to invite an answer. She doesn't need it, not really.]
I'd rather not come back, I think. I want to be done with the City, once the City's done with me.
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[He pockets his hands, though it's not as cold as this time of year sometimes gets. Maybe the real bite will kick in come November.]
Solid run, then.
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→ ACTION // would you care if i care too
[No one gets a choice in the matter, but there is one choice he could offer her that only a select few get. Gauging whether it's a good idea or not is a trickier matter - and one for later. He catches her arm, probably unnecessarily, to pull her up outside the restaurant.]
Looks busy. I hope that means its good.
→ ACTION // would you care if i care too
[She's wanted to know and she's wanted to forget, at various points. Going home-- living through it-- would take care of her curiosity, but she's willing to bet she'd regret the loss of whatever naivety is left to her, at least in part. Ignorance isn't bliss, but it isn't hopelessness either.]
Well, there's only one way to find out.
→ ACTION // would you care if i care too
Chase almost looks put out when he's beaten to holding hers out for her.]
→ ACTION // would you care if i care too
Maybe I've been settling for takeout too often.
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I was working on 'could be better'. Figured that had to be something more impressive than showing up with gyros.
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I think living here has lowered my standards on what constitutes a good day.
[Which makes a reminder quite welcome, not that she'll say so. Even if she rather hopes he can tell.]
Re: → ACTION // would you care if i care too
[The waiter comes over with wine (pre-ordered) and addresses Chase in low tones. He gestures across the table.]
I think the lady might prefer to order for herself.
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I'd say nearly anything is an improvement on that, but...
[Enough said, as they say. The Deities are endlessly creative.]
But that's hardly gracious dinner conversation.
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[Because really, Cameron, it's one of the reasons he likes you, and his expression, hopefully, makes that evident.]
I appreciate the restraint.
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[Nor offended, for what it's worth.]
There are degrees of better, though.
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